Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембало

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Review by Natalie Reiners

The album "Концерты Для Скрипки Виолончели Струнных И Чембало" by Антонио Вивальди is a stunning collection of classical music that showcases the composer's unparalleled talent and mastery of the baroque style. Each piece on the album is performed with precision and passion by the talented musicians, who bring the music to life with their exceptional skill and artistry.

From the opening notes of the first concerto to the final strains of the last, the album takes listeners on a journey through a range of emotions and moods, from the upbeat and playful to the hauntingly beautiful and contemplative. The interplay between the violin, cello, and harpsichord is masterful, with each instrument complementing and enhancing the others to create a seamless, harmonious sound.

Download Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембало
Artist: Антонио Вивальди
Album: Концерты Для Скрипки Виолончели Струнных И Чембало
Rating: 5.0

Table of Contents

Download

Filename: antonio-vivaldi-koncerty-dlya-skripki-violoncheli-strunnyh-i.rar
  • MP3 size: 84.7 mb
  • FLAC size: 601.7 mb

Tracks

TrackDurationPreview
Концерт Си-Бемоль Мажор Для Скрипки, Виолончели, Струнных И Чебало
3. Allegro Molto
1. Allegro Molto
2. Andante
Концерт Си Минор Для Виолончели, Струнных И Чембало
Концерт Ля Мажор Для Скрипки, Виолончели, Струнных И Чембало
2. Largo
Концерт Ми Минор Для Скрипки, Струнных И Чембало
3. Allegro
1. Allegro Non Molto
1. Allegro

Images

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Catalog Numbers

33 С10-05473-74

Labels

Мелодия

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Formats

  • Vinyl
  • LP
  • Repress

Companies

RoleCompany
Pressed ByАпрелевский Завод Грампластинок

Credits

RoleCredit
CelloНаталия Гутман
Composed ByА. Вивальди
ConductorЛев Маркиз
OrchestraАнсамбль Солистов Академического Симфонического Оркестра Московской Государственной Филармонии
ViolinОлег Каган

Notes

Апрелевский ордена Ленина завод грампластинок. 1977 г.

Barcodes

  • Matrix / Runout (Side A): С10-05473/4-1
  • Matrix / Runout (Side B): С10-05474/4-1
  • Other (State standard): ГОСТ 5289-73

About Антонио Вивальди

télécharger l'album Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембалоbaixar álbum Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембалоdescargar álbum Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембалоlataa albumi Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембалоladda ner album Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И ЧембалоAlbum herunterladen Антонио Вивальди - Концерты Для Скрипки Виолончели Струнных И Чембало
Italian Baroque composer, virtuoso violinist, teacher and cleric. Born March 4, 1678, Sestiere di San Marco, Repùblica Vèneta, Italy. Died July 28, 1741, Kärntnertor, Vienna, Austria. He is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons". Vivaldi's career as a violinist and composer was almost inevitable. His father was Giovanni Battista Vivaldi, a founder of the Sovvegno dei musicisti di Santa Cecilia, an early musician's collective, who's President was the Baroque operatic composer and tutor Giovanni Legrenzi. As a youth, touring and performing around Venice in accompaniment on the violin with his father, he is likely to have been influenced by Legrenzi who had become maestro di cappella at St. Mark's Basilica in 1681. A redhead like his father, Vivaldi took up the course of attaining a priesthood in 1693 and became ordained in 1703, referred to by those around him as "Il Prete Rosso" because of his red hair. By late 1703 he was unable to maintain his practice in the priesthood due to ill health and sought employment as a tutor of music, retaining his reverential title. By 1704 he worked as maestro of violin in Venice at the orphanage of the Devout Hospital of Mercy, an institution known as Conservatorio dell'Ospedale della Pietà, providing shelter to orphaned and abandoned children. Here the boys were taught a trade, whilst the girls were given a musical education. The talented were selected for the conservatory's orchestra & choir, which gained high regard both in Venice and abroad. Vivaldi used this period to write the majority of his concertos, cantatas and arias. The institute provided an ideal environment for Vivaldi to explore the avenues of the ritornello form. The first of his works were published in 1705, a second Opus in 1709. His third Opus was published in Amsterdam in 1711 and gained him enthusiastic attention throughout Europe  followed by a fourth Opus in 1714. He became Musical Director of the Pietà's institute in 1716 and was contracted to provide two concerti a month for the orchestra. Papers from the Pietà's history show that Vivaldi produced 140 concerti between 1723 and 1733. In 1714 Vivaldi took on the role of impresario of the theater Sant'Angelo in Venice, presenting "Orlando finto pazzo

Real Name

    • Antonio Lucio Vivaldi

Name Vars

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  • A. Vivaldi
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  • Antonio L. Vivaldi
  • Antonio Licio Vivaldi
  • Antonio Lucio Vivaldi
  • Antonio Vivaldi (?)
  • Antonio Vivaldi, 1678-1741
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  • António Vivaldi
  • D. Antonio Vivaldi
  • Don Antonio Vivaldi
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  • VIvaldi
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  • Vivaldi A.
  • Vivaldi Antonio
  • Vivaldi Antonio Lucio
  • Vivaldi,
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  • Vivaldis
  • Vivaldy
  • Vivladi
  • Βιβάλντι
  • А. Вивалди
  • А. Вивальди
  • А. Вівальді
  • А.Вивальди
  • А.Вівальді
  • Антонио Вивалди
  • Антонио Вивальди
  • Антонио Вивальди (1678-1741)
  • Антоніо Вівальді
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suturastyle

Summary by Natalie Reiners

"Концерты Для Скрипки Виолончели Струнных И Чембало" is a must-have for any classical music lover, and a testament to the enduring legacy of one of the greatest composers of all time. Whether enjoyed as a whole or as individual pieces, the album is a true masterpiece and a testament to the enduring power of music to inspire, uplift, and move the soul.