Claude Debussy, Orchestre De La Suisse Romande, Ernest Ansermet - Orchesterwerke

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Review by Diana Gardner Robinson

Orchesterwerke by Claude Debussy, performed by the Orchestre De La Suisse Romande and conducted by Ernest Ansermet, is a beautiful album that showcases the composer's talent for orchestration. The album features some of Debussy's most famous works, including "La Mer" and "Nocturnes," as well as lesser-known pieces such as "Images" and "Printemps."

The Orchestre De La Suisse Romande delivers a stunning performance throughout the album, with each instrument blending seamlessly to create a rich and vibrant sound. The ensemble's precision and control are particularly impressive in the more complex pieces, such as "Nocturnes," where the interplay between the different sections of the orchestra is crucial to the overall effect.

Ansermet's conducting is also noteworthy, as he brings a sense of clarity and balance to each piece. His attention to detail is evident in the way he shapes the various motifs and themes, highlighting their unique qualities and allowing them to shine.

Table of Contents

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Tracks

TrackDurationPreview
1. Très Modéré
Petite Suite
2. Bild: Le Champ De Bataille8:01
Images (3e Série) Pour Orchestre
La Boîte À Joujoux (Kinderballett)
Printemps (Suite Symphonique)
4. Ballet3:15
Danse (Tarantelle Styrienne)5:43
2. Jeux Des Vagues6:00
2. Modéré14:45
4. Bild: Après Fortune Faite8:50
Prélude À L’après-midi D’un Faune8:56
Clair De Lune (Aus Der »Suite Bergamasque«)4:10
Nocturnes (Tryptique Symphonique Pour Orchestre Et Chœurs)
2. Cortège2:55
2. Fêtes6:18
Marche Écossaise5:40
Khamma19:40
3. Menuet3:10
1. De L’aube À Midi Sur La Mer8:00
3. Sirènes (Mit Frauenchor)9:20
Nr. 2: Ibéria - Par Les Rues Et Par Les Chemins6:49
Nr. 1: Gigues7:28
Jeux (Poème Dansé)17:00
1. Nuages6:55
La Mer (Trois Esquisses Symphoniques)
Rhapsodie Für Klarinette Und Orchester7:27
1. En Bateau3:42
Nr. 2: Ibéria - Les Parfums De La Nuit
3. Bild: La Bergerie À Vendre
1. Bild: Le Magasin De Jouets12:41
Nr. 2: Ibéria - Le Matin D’un Jour De Fête11:20
Nr. 3: Rondes De Printemps7:50
3. Dialogue Du Vent Et De La Mer7:23

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Catalog Numbers

6.35502

Labels

Decca

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Formats

  • 4 × Vinyl
  • LP
  • Compilation Box Set

Companies

RoleCompany
Manufactured ByTELDEC »Telefunken-Decca« Schallplatten GmbH
Copyright (c)TELDEC »Telefunken-Decca« Schallplatten GmbH

Credits

RoleCredit
ClarinetRobert Gugolz (tracks: F1)
SoloistRobert Gugolz (tracks: F1)
Composed ByClaude Debussy
ConductorErnest Ansermet
FluteAndré Pepin (tracks: B1)
Liner NotesJean Meuchtelbach
OrchestraOrchestre De La Suisse Romande
PaintingMariano Fortuny

Notes

  • Box set issued with 4-page 12´´ inlay in German.
  • On cover:
  • Grand Prix du Disque
  • On box back:
  • ℗ 1957
  • ℗ 1959
  • ℗ 1969
  • ℗ 1962
  • ℗ 1960
  • ℗ 1965
  • ℗ 1958
  • ℗ 1961
  • Titelseite: „Panflöte“ von Mariano Fortuny (Three Lions, New York)
  • On inlay back:
  • © 1980 by TELDEC »TELEFUNKEN-DECCA« Schallplatten GmbH · 2000 Hamburg
  • 6.35502-00-501

Barcodes

  • Label Code: LC 0171
  • Matrix / Runout (Matrix on label side A): 6.35 502-01-1
  • Matrix / Runout (Matrix on label side B): 6.35 502-01-2
  • Matrix / Runout (Matrix on label side C): 6.35 502-02-1
  • Matrix / Runout (Matrix on label side D): 6.35 502-02-2
  • Matrix / Runout (Matrix on label side E): 6.35 502-03-1
  • Matrix / Runout (Matrix on label side F): 6.35 502-03-2
  • Matrix / Runout (Matrix on label side G): 6.35 502-04-1
  • Matrix / Runout (Matrix on label side H): 6.35 502-04-2
  • Price Code: EK
  • Rights Society: GEMA

About Claude Debussy, Orchestre De La Suisse Romande, Ernest Ansermet

Born: August 22, 1862 (Saint-Germain-en-Laye, France). Died: March 25, 1918 (Paris, France). Claude Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Debussy's music frees itself of the academicism of the late nineteenth century (in particular that of the Austro / German School) to offer new perspectives and dimensions to twentieth century music. Through the use of pentatonic scales, of the whole tone scale, he returns to the ambiguity of modal systems and accomplishes a revolution of traditional harmony, different from the Wagnerian revolution. Debussy's music frees itself from the tyranny of the bar, which with its periodic accents forces the rhythm to a pre-ordered repetitions; as a consequence of these metric-harmonic innovations the classical forms are abandoned.

Real Name

    • Achille-Claude Debussy

Name Vars

  • (Achille-)Claude Debussy
  • A. C. Debussy
  • A. Debussy
  • Achille-Claude Debussy
  • C Debussey
  • C Debussy
  • C. A. Debussy
  • C. A. Debussy
  • C. De Bussy
  • C. DeBussy
  • C. Debussy
  • C. Debusy
  • C. Débussy
  • C. ÉÓå÷ü
  • C.A. Debussy
  • C.A.Debussy
  • C.Debbussy
  • C.Debussy
  • C.ÉÓå÷ü
  • Ch. Debussy
  • Cl. Debussy
  • Claude
  • Claude A. Debussy
  • Claude Achille Debussy
  • Claude De Bussy
  • Claude DeBussey
  • Claude DeBussy
  • Claude Debussey
  • Claude Debussi
  • Claude Debussy (1862-1918)
  • Claude Debusy
  • Claude Débussy
  • Claude-Achille Debussy
  • Claudio Debussy
  • Claue Debussy
  • DEBUSSY
  • De Bussy
  • De bussy
  • DeBussey
  • DeBussy
  • Debisi
  • Debousy
  • Debusey
  • Debussey
  • Debussy
  • Debussy C.
  • Debussy C.A.
  • Debussy Claude
  • Debussy, C.
  • Debussy, Claude
  • Debussy-Arnold
  • Desbussy
  • Dubussy
  • Débussy
  • K. Debisi
  • K. Debisī
  • K. Debiusi
  • K. Debussy
  • Klaudiusz Debussy
  • Klod Debisi
  • Monsieur Croche
  • Monsieur Croche (Claude Debussy)
  • P.D.
  • [Achille-] Claude Debussy
  • Ντεμπισί
  • Дебюсси
  • К. Дебюсси
  • К.ДеБюсси
  • К.Дебюсси
  • Клод Дебиси
  • Клод Дебюсси
  • Клод Дебюссі
  • دوبوسي
  • ¯íüÉûÉÓå÷ü
  • ÉÓå÷ü
  • ྷฃॿ
dianarobinson737

Summary by Diana Gardner Robinson

Orchesterwerke is a fantastic album that will appeal to both fans of Debussy and classical music enthusiasts in general. The combination of the Orchestre De La Suisse Romande's exceptional musicianship and Ansermet's insightful conducting results in a recording that is both beautiful and captivating.