Gershwin - Porgy And Bess Complete
Table of Contents
Download
Filename: gershwin-porgy-and-bess-complete.rar- MP3 size: 41.4 mb
- FLAC size: 336.6 mb
Tracks
Track | Duration | Preview |
---|---|---|
Scene 2 - Catfish Row - The Next Afternoon | 8:40 | |
Scene 3 - Catfish Row - Before Dawn A Week Later | 14:27 | |
Scene 2 - Serena's Room - The Following Night | 15:50 | |
Scene 1 - Catfish Row - A Month Later | 27:03 | |
Scene 1 - Catfish Row - The Next Night | 8:30 | |
Scene 4 - Serena's Room - Dawn Of The Following Day | 9:45 | |
Scene 2 - Kittiwah Island - Evening The Same Day | 10:00 | |
Scene 1 - Catfish Row - A Summer Evening | 25:09 | |
Scene 3 - Catfish Row - A Week Later | 11:47 |
Video
Gershwin, 1951: Porgy and Bess - Overture, Summertime - Original 1951 Columbia LP
Images
Catalog Numbers
- 32 36 0018
- 77319
- 32 36 0018, R68-2975
Labels
- Odyssey
- CBS Classics
- Odyssey, Columbia, The Library Of Congress
Listen online
- écouter en ligne
- online anhören
- online luisteren
- kuunnella verkossa
- lyssna på nätet
- ouvir online
- lytte på nettet
- ascolta in linea
- escuchar en línea
Formats
- 3 × Vinyl
- LP Box Set
- LP
- Stereo Box Set
Credits
Role | Credit |
---|---|
Conductor [Soloists | Lehman Engel |
Chorus | Lehman Engel |
Orchestra] | Lehman Engel |
Engineer | Fred Plaut, John Guerriere |
Libretto By | Du Bose Heyward |
Liner Notes | Goddard Lieberson |
Lyrics By | Du Bose Heyward, Ira Gershwin |
Photography | Culver Pictures, Inc. |
Producer | Goddard Lieberson |
Choir | J. Rosamond Johnson Chorus |
Notes
- side pairings are in "drop-automatic" sequence for play on a record changer which drops records:
- Disc 1: Side 1/Side 6 (A/F)
- Disc 2: Side 2/Side 5 (B/E)
- Disc 3: Side 3/Side 4 (C/D)
- "Electronically re-channeled for stereo"
- Side pairings are in "drop-automatic" sequence for play on a record changer which drops records:
Barcodes
- Matrix / Runout (Disc 1 Side 1, Runout): AC-32-16-0240-1
- Matrix / Runout (Disc 1 Side 6, Runout): AB-32-16-0240-2
- Matrix / Runout (Disc 2 Side 2, Runout): AB-32-16-0242-1
- Matrix / Runout (Disc 2 Side 5, Runout): AB-32-16-0242-2
- Matrix / Runout (Disc 3 Side 3, Runout): AB-32-16-0244-1
- Matrix / Runout (Disc 3 Side 4, Runout): AB-32-16-0244-2
- Other (Library of Congress catalog card number): R68-2975
- Matrix / Runout (Disc 1 Side 1, Runout, stamped): AE -32-16- 0240-1
- Matrix / Runout (Disc 1 Side 6, Runout stamped): AD-32-16- 0240-2
- Matrix / Runout (Disc 2 Side 2, Runout stamped): AB-32-16-0242-1
- Matrix / Runout (Disc 2 Side 5, Runout stamped): AB-32-16-0242-2
- Matrix / Runout (Disc 3 Side 3, Runout stamped): AE -32-16- 0244-1
- Matrix / Runout (Disc 3 Side 4, Runout stamped): AC-32-16- 0244-2
- Matrix / Runout (Disc 1 Side 1, center label): 32 16 0240-1
- Matrix / Runout (Disc 1 Side 6, center label): 32 16 0240-2
- Matrix / Runout (Disc 2 Side 2, center label): 32 16 0244-1
- Matrix / Runout (Disc 2 Side 5, center label): 32 16 0244-2
- Matrix / Runout (Disc 3 Side 3, center label): 32 16 0242-1
- Matrix / Runout (Disc 3 Side 4, center label): 32 16 0242-2
- Rights Society: ASCAP
Comments
Only 12 comments, I will add just to say I love this recording and it seems to be 'out of print' but should be kept alive and well as some of the greatest music ever.
Rare Gershwin recordings at my playlist here: https://www.youtube.com/playlist?list=PL1gAgJIplj-mCMMpeC7OL2Yt1CG8ySSxQ
This was the first multiple record album (and most expensive, $5.98?) I ever purchased, circa 1966. Possibly the result of having had "Columbia Record Club" send me the soundtrack recording of the 1959 movie, which had singers dubbing for the principal actors. Now that I think of it, the soundtrack album was probably one of the "twelve albums for one cent" in the come-on ad designed to get me to sign-up for getting records on a monthly basis! Anyway I played this over and over and it made me wish I could sing...thanks for posting this.
Thanks a lot for this masterwork!
It's so weird to hear operatic stylized vocals in a song that's now been stereotyped as a staple for classical jazz singers. This is such a perfect example of the great 20th-century divide in music. I'm still dumbfounded as to why Gershwin was snubbed by the classical music world, especially in Europe. They insisted that his lack of counterpoint made him a lesser composer, but I don't buy it. Jazz was one of the first and most unifying mediums ever shared between the upper class and lower class. The day that "Pop" became a bad word among musicians was the day that people named Gershwin's music "popular"
Wie schön ihre Stimme ist! Die Tonqualität ist auch unglaublich hoch als eine Aufnahme von mehr als sechzig Jahre vor.
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