Heresy - 20 Reasons To End It All
Table of Contents
Download
Filename: heresy-20-reasons-to-end-it-all.rar- MP3 size: 189 mb
- FLAC size: 1935.5 mb
Tracks
Track | Duration | Preview |
---|---|---|
Them And Us And Me And You | ||
Consume / Face Up To It! | 2:20 | |
The Street Enters Into the House | 2:14 | |
Follow Suit | 1:35 | |
Into the Grey | 1:34 | |
Make the Connection | ||
Network Ends | 2:10 | |
The Street Enters the House | 01:39 | |
Cornered Rat | 1:39 | |
Into The Grey | ||
Release / Genocide | 2:32 | |
Break the Connection / Ghettoised | 2:11 | |
Them and Us and Me and You | 1:10 | |
Face Up to It (Live) | 1:0 | |
Face Up to It! | 01:34 | |
Genocide | ||
Break The Connection / Ghettoised | 2:11 | |
Face Up To It! | ||
Open Up | ||
Face Up to It | ||
Release | ||
Open Up / Everyday Madness Everyday | 2:16 | |
The Street Enters The House | ||
Make the Connection (live) | 1:36 | |
Genocide (live) | 1:35 | |
Everyday Madness Everyday | 2:26 | |
Consume | ||
Break the Connection | 02:32 | |
Face Up To It | ||
The Street Enters The House / Cornered Rat | 2:14 | |
Ghettoised | 0:41 | |
Make The Connection | ||
Consume / Face Up to It | 2:20 | |
When Unity Becomes Solidarity | 2:11 | |
Break The Connection |
Video
Heresy - Release / Genocide
Images
Catalog Numbers
- BTRCRS015
- SSR-014
- BTRCRS12-015
- BTRSV003
Labels
- Boss Tuneage
- Speedstate Records
Listen online
- lyssna på nätet
- écouter en ligne
- lytte på nettet
- ascolta in linea
- online anhören
- kuunnella verkossa
- online luisteren
- ouvir online
- escuchar en línea
Formats
- CD
- Compilation
- Vinyl
- LP
- Test Pressing
- White Label
- Repress
- White
- Clear
- Red Translucent
Companies
Role | Company |
---|---|
Manufactured By | Key Production |
Recorded At | Whitehouse Recording Studio |
Pressed By | GZ Digital Media |
Credits
Role | Credit |
---|---|
Bass | Kalv Piper |
Drums | Steve Charlesworth |
Engineer | Martin Colley (tracks: 5 to 11), Mike Robinson (tracks: 12 to 17) |
Guitar | Steve "Baz" Ballam |
Producer | Dale Griffin (tracks: 5 to 17), Heresy (tracks: 1 to 4), Martin Nicholls (tracks: 1 to 4) |
Vocals | John March |
Photography By | Floren Helmchen, John Millier, Kalv Piper, Simon Kay , Trevor Read |
Liner Notes | Kalv Piper |
Notes
- Tracks 1 to 4 recorded at the Whitehouse Studio, Weston Super Mare, 19th - 21st December 1988.
- Originally released as the "Whose Generation?" 7" EP, In Your Face Records February 1989, FACE 04.
- Tracks 5 to 11 recorded at the BBC in Maida Vale, North London 1st March 1988.
- Tracks 12 to 17 recorded at the BBC in Maida Vale, North London 10th January 1989.
- Both sessions released together as the "13 Rocking Anthems" LP, In Your Face Records November 1989, FACE07.
- Tracks 18 to 20 recorded live through the P.A. at the "Duchess Of York", Leeds, 14th December 1988, the final Heresy show.
- Originally released as the "Live At Leeds" 7" EP, Open Records 1993.
- Tracks 1 to 4 recorded at the Whitehouse Studio, Weston Super Mare, 19th-21st December 1988. Originally released as the "Whose Generation?" EP, In Your Face Records February 1989, FACE04.
- Tracks 12 to 17 recorded at the BBC in Maida Vale, North London 10th January 1989. Both sessions released together as the "13 Rocking Anthems" LP, In Your Face Records November 1989, FACE07.
- Tracks 18 to 20 recorded live through the P.A. at the "Duchess Of York", Leeds, 14th December 1988, the final Heresy show. Originally released as the "Live At Leeds" 7" EP, Open Records 1993.
- 20 tracks are listed on the CD sleeve, but they are indexed as only 16 tracks. Combined tracks are as listed in the tracklisting.
- A1 to A4 recorded at the Whitehouse Studio, Weston Super Mare, 19th - 21st December 1988.
- Originally released as the Whose Generation? 7" EP, In Your Face Records February 1989, FACE 04.
- A5 to A11 recorded at the BBC in Maida Vale, North London 1st March 1988.
- B1 to B6 recorded at the BBC in Maida Vale, North London 10th January 1989.
- Both sessions released together as the 13 Rocking Anthems LP, In Your Face Records November 1989, FACE07.
- B7 to B9 recorded live through the P.A. at the "Duchess Of York", Leeds, 14th December 1988, the final Heresy show.
- Originally released as the Live At Leeds 7" EP, Open Records 1993.
- Gatefold cover, red translucent vinyl, first pressing of 500 copies.
- Comes with photo/lyric inner sleeve.
- White vinyl pressing of 500.
- Originally released as the "Whose Generation?" 7" EP, In Your Face Records February 1989, FACE 04.
- Both sessions released together as the "13 Rocking Anthems" LP, In Your Face Records November 1989, FACE07.
- Originally released as the "Live At Leeds" 7" EP, Open Records 1993.
Barcodes
- Barcode (Text): 6 89492 06252 1
- Barcode (String): 689492062521
- Mastering SID Code: IFPI LP78
- Matrix / Runout: KEY BTRCRS015
- Matrix / Runout: BTRCRS12-015-A 69452E1/A
- Matrix / Runout: BTRCRS12-015-B 69452E2/A
- Barcode: 6 89492 06251 4
- Barcode (Printed): 6 89492 10031 5
- Barcode (Scanned): 689492100315
- Matrix / Runout (Stamped Runout Side A): BTRSV003-A 95072E1/A
- Matrix / Runout (Stamped Runout Side B): BTRSV003-B 95072E2/A
About Heresy
Hailing from a tiny village outside Stoke-on-Trent, UK - Plasmid - as they were originally called - started as a three piece politically-themed fast hardcore punk formed by Reevsy (guitar/vocals) and his 15 year old cousin Steve, on drums.
After one Plasmid demo, they joined up with newly recruited bassist Kalv from Nottingham, playing some local shows under their newly chosen, more "metallic" moniker, Heresy. Many of the early shows were booked by local HC promoter, and later Earache founder, Dig. Influenced by and the fastest US HC bands like , and especially , Heresy were lucky to have the formidable talents of Steve on drums, though young, he put himself through a punishing daily rehearsal schedule, such that he was arguably the fastest drummer in the world when they entered the local Nottingham no-budget Pavilion Studios just before Xmas 1985 to record the "Never Healed" flexi.
With Reevsy on guitar and vocal duties,and Kalv on bass, the band laid down 6 tracks in barely a day. The flexi was released by Kalv and Dig's DIY jointly funded label (the name "Earache" was added to the label at the last minute) and all 3000 copies sold out right away. The six tracks included were blisteringly fast thrash with non-existent production, but the proto-metalcore riffs in the songs attracted metal fans to the band as well as the usual hardcore punk crowd. At this time, Heresy would often play in the The Mermaid pub in Birmingham (usually sharing the bill with the still unsigned ), and it was noticeable that both bands' drummers were engaged in a kind of friendly rivalry to see who could play fastest on the night.
Music was accelerated to superhuman speeds, and grindcore had its birthplace in early 1986 on that stage. By 1986 Dig had officially formed his fledgling record label, Earache Records and asked Heresy to record a split LP with fellow Nottingham politico-punks . The first recording of the Heresy side took place at Rich Bitch studios in Birmingham early that year, and featured Reevsy on vocals, but on the eve of a European tour later in the year, the band recruited the current Concrete Sox drummer John March to join on vocals to boost their on stage presence. Having gone down well on tour, John's high energy stage jumping antics were spectacular at the time, he joined Heresy permanently and re-recorded the vocals in the studio for the eventual Heresy/Concrete Sox split LP release in early 1987. By the time of the release, Reevsy had quit because he was unable to commit to any touring, so Mitch Dickinson of the then unsigned stepped in ably on live guitar.
The Heresy Mosh Crew, as they became known, undertook further tours including UK touring with the , and toured Europe many times, with the likes of , etc, becoming almost like ambassadors for the growing UKHC scene. Heresy were soon to be joined by the even faster and noisier playing Europe's squat and youth club circuit constantly. Mitch's sole recordings with the band were the "Thanks" 4-track 7" EP, recorded in 1987 at the Radio Trent studios in Nottingham, (released DIY by a fan in Germany and sold on tour), and the 2 tracks on the ludicrous UK Rock DJ's "Bailey Brothers - Diminished Responsibility" compilation of up 'n coming UK thrash talent. This was released on a major label, and thankfully disappeared without trace.
On the eve of the bands first BBC radio session with famed DJ John Peel, Heresy decided to split with Earache and go fully DIY in their endeavors, recording a number of albums and EP's under their own steam over the following 18 months, but, ultimately line up problems lead to the band splitting up in December 1988. In 1990 Earache made available a retrospective CD of all the bands recordings for the label. Entitled "Never Slit Thanks" (shorthand for it containing the "Never Healed" flexi, Split LP and "Thanks" EP, but with the obligatory tongue-in-cheek Japanese spelling mistake) it was Licensed by Toys Factory so was only available in Japan.
Name Vars
- Heresy
- Øì·ü
Members
- Kalvin Piper
- John March
- Stephen Charlesworth
- Reevsy
- Mitchell Dickinson
- Steve Ballam
Comments
grind/crust rules!
awesum
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