MC Schmidt - Batu Malablab

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Review by HAMEN Alexandre

Batu Malablab, the latest album by MC Schmidt, is a sonic journey through the depths of experimental electronic music. The album is a collection of ten tracks, each with its own unique sound and style.

From the opening track, "Batu Malablab," the listener is transported into a world of glitchy beats, distorted synths, and heavy basslines. The album then takes a turn with the dreamy, ambient sounds of "Kapitbahay," before delving back into the frenetic energy of "Bala."

MC Schmidt's use of unconventional sounds and rhythms creates a sense of unpredictability throughout the album. "Sugod" features a haunting vocal sample layered over a driving beat, while "Bilanggo" blends distorted guitars with industrial percussion.

The album's standout track, "Kulog," is a masterpiece of atmospheric soundscapes and intricate beats. The track builds slowly, adding layer upon layer of sonic textures until it reaches a climactic finale.

Table of Contents

Download

Filename: mc-schmidt-batu-malablab.rar
  • MP3 size: 6 mb
  • FLAC size: 95 mb

Tracks

TrackDurationPreview
Lowland Side17:57
Mountain Side19:50

Video

M.C. Schmidt - Great Significant Piano Work

Images

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Catalog Numbers

  • MEGA 031 CD, 008
  • MEGA 031LP, 008

Labels

Megaphone Records , Knock'em Dead Records

Listen online

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Formats

  • CD
  • Album
  • Vinyl
  • LP

Credits

RoleCredit
ElectronicsJon "Wobbly" Leidecker
MIDI ControllerJon "Wobbly" Leidecker
EffectsJon "Wobbly" Leidecker
SynthesizerJon "Wobbly" Leidecker
Edited ByJon "Wobbly" Leidecker
Photography ByM.C.S.
LayoutM.C.S.
PianoM.C. Schmidt
FluteM.C. Schmidt
VoiceM.C. Schmidt
WhistlingM.C. Schmidt
SoundsM.C. Schmidt
Recorded ByM.C. Schmidt
EngineerM.C. Schmidt
Mastered ByThomas Dimuzio

Notes

  • Subtitle on the cover: "Suite for Prepared Piano, Flute and Electronics"
  • Portions were recorded live at The Red Room in Baltimore and at Apothecary in Asheville, NC, originally in quadrophonic sound, otherwise, recorded at home by M.C.S.
  • Jon Leidecker (Wobbly) is credited with playing Sonuus G2M (guitar to MIDI controller), which is mistyped on the cover as "Sonnox G2M"
  • Exotic Fantasy of BALTIMORE

Barcodes

Barcode: 8 88295 21796 5

About MC Schmidt

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American experimental electronic musician, producer, and composer. Born: 1964. M.C. Schmidt is best known as one half of an acclaimed duo . He also used to be an assistant manager of the New Genres Department at , where Martin taught people to edit video and use necessary lighting and sound equipment, and also maintained a small computer lab. In the eighties, Schmidt played in a legendary occult-avantgarde band . He also collaborated with (of ), and played synthesizer on a few tracks. Martin met around 1989 at Uranus, a gay bar in San Francisco, where Drew worked as a go go dancer. Prior to that, Daniel saw Schmidt playing with IAO Core at 's event at . Eventually the two started dating and formed the band together  named after a 'seething lake of evil slime' beneath the Sogo city in the film "Barbarella (1968). After making music together privately for a few years, in 1997 Drew and Martin established label and self-released their debut album "" (1997). Since then, the duo have released over ten albums, as well as numerous collaborations and EPs on many labels, including , , , , , , , and other independent labels. As half of Matmos, Schmidt has worked with , , , , , , , (), , , , and many others. For many years, Matmos had been collaborating with Icelandic artist , producing several remixes, and later contributed to a few of her albums. Schmidt and Daniel accompanied Björk on Vespertine World Tour (2001) and Greatest Hits Tour (2003) as part of her live band. In 1997-1998, Daniel Schmidt recorded several glitch albums with () as . In 2009, Schmidt hosted a series of improvisational sessions with , a veteran jazz basist who have played with , , , and the likes, and () at his home in Baltimore. A newly formed trio saw Ellis exploring the electroacoustic combination of traditional jazz techniques with real-time computer processing, Schmidt playing the usual variety of bizarre percussion, non-musical objects and synthesizers, and Jason Willett jamming on contact mic'ed rubber band, Sidrassi Organ, and custom-made electronic instruments. The sessions were documented on " (2010), a limited edition album on 's sublabel. Schmidt released his first solo album "" (2015), recorded on prepared piano, Chinese flute, Roland SH-101, Roland V-Synth, T.C. Helicon VoiceLive II, and other machines. It features and on miscellaneous synthesizers and electronics, Batu Malablab presents an original gamelan-inspired experimental take on Jon Hassell's "Fourth World" and other Western cosmopolitan renditions of non-western world music. He also made a soundtrack to a Jeffrey Rettberg's 27-min film, "Devotion" (2017).

Real Name

    • Martin C. Schmidt

Name Vars

  • M C Schmidt
  • M. C. Schmidt
  • M. Schmidt
  • M.C Schmidt
  • M.C. Schmerz
  • M.C. Schmidt
  • M.C.S.
  • M.C.Schmidt
  • MC Schmidt
  • MCS
  • Martin C. Schmidt
  • Martin Schmidth
  • Marty Schmidt
  • Michel Schmidt
  • Schmidt
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Summary by HAMEN Alexandre

Batu Malablab is a bold and daring album that pushes the boundaries of electronic music. MC Schmidt's experimentation with sound and rhythm creates a unique listening experience that is both challenging and rewarding. Fans of experimental electronic music will find much to appreciate in this album.

Comments

devontewhite23
I thoroughly enjoyed this entire video. I was distracted for a little while because I paused and unpaused the video many times at the 1:40 minute mark because I liked watching the man's eyebrows very much. The video got especially good right before the 4:00 minute mark. The brush part was a little scary but I like the sounds it made. The end part was confusing but I liked it. Sometimes it's nice to be confused, in a nice way.
esolutiongroup
Reminds me of "Static Piano"
cristhianayala1
Did you use this in some live concerts? I swear I saw some of this when you played with Laub in London (but that'd be too early so maybe it was the Cafe Oto gig?). I look forward to the sequel to this, titled 'Incredibly Important Piano Work'.
mmajonchi
I thought you might be doing a Philip Corner piece at first when you were solemnly polishing the piano.