Offenbach, Chopin - La Gaîté Parisienne Les Sylphides

torhenningkarlsen

Review by Tor Henning Karlsen

La Gaîté Parisienne Les Sylphides is an album that features the works of two renowned composers, Offenbach and Chopin. The album comprises of a total of 15 tracks, each of which showcases the talent and finesse of the two composers.

The music in the album is a combination of classical and romantic genres, and it is sure to delight any lover of classical music. The tracks are beautifully arranged and performed, and they showcase the intricate harmonies and melodies that are characteristic of the works of Offenbach and Chopin.

The album is perfect for those who appreciate the beauty and complexity of classical music. The tracks are masterfully composed and performed, and they showcase the unique talents of the two composers. The album is a must-have for anyone who loves classical music and wants to experience the beauty of the works of Offenbach and Chopin.

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Artist: Offenbach, Chopin
Album: La Gaîté Parisienne Les Sylphides

Table of Contents

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Filename: offenbach-chopin-la-gat-parisienne-les-sylphides.rar
  • MP3 size: 14 mb
  • FLAC size: 86.4 mb

Tracks

TrackDurationPreview
Les Sylphides
La Gaîté Parisienne

Images

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Catalog Numbers

2C 053-01323

Labels

La Voix De Son Maître, Pathé Marconi EMI

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Formats

  • Vinyl
  • LP
  • Album
  • Stereo

Barcodes

Rights Society: SACEM-SACD-SGDL-SDRM

About Offenbach, Chopin

Born: 1819-06-20 (Cologne, Germany) Died: 1889-10-05 (Paris, France) Jacques Offenbach was a German-born French composer and cellist of the Romantic era and one of the originators of the operetta form. Of German-Jewish ancestry, he was one of the most influential composers of popular music in Europe in the 19th century, and many of his works remain in the repertory. Offenbach's numerous operettas, such as «Orphée aux enfers» (Orpheus in the Underworld) and «La belle Hélène», were extremely popular in both France and the English-speaking world during the 1850s and 1860s. They combined political and cultural satire with witty grand opera parodies. His popularity in France went down during the 1870s after the Second Empire, and he fled France, but during the last years of his life, his popularity rebounded, and several of his operettas are still performed. While his name remains associated most closely with the French operetta and the Second Empire, it is Offenbach's one fully operatic masterpiece, «Les contes d'Hoffmann» (The Tales of Hoffmann), composed at the end of his career, that has become the most familiar of Offenbach's works in major opera houses. Offenbach was music director of the for 7 years.

Real Name

    • Jacob Offenbach

Name Vars

  • Hofenbach
  • Hoffenbach
  • I. Offenbach
  • J Offenbach
  • J. Offenbach
  • J. Offenbach
  • J. ªÃÕ§óÐï
  • J.Offenbach
  • J.S. Offenbach
  • J.ªÃÕ§óÐï
  • J; Offenbach
  • Jac. Offenbach
  • Jacob Offenbach
  • Jacque Offenbach
  • Jacques Auguste Igna Offenbach
  • Jacques Auguste Offenbach
  • Jacques L. Offenbach
  • Jacques Offenbach (1819-1880)
  • Jacques S. Offenbach
  • Jakub Offenbach
  • Jaques Offenbach
  • Jules Offenbach
  • M. J. Offenbach
  • M.J. Offenbach
  • Ofeenbach
  • Ofenbach
  • Ofenbah
  • Offembacch
  • Offembach
  • Offen Bach
  • Offenbach
  • Offenbach J.
  • Offenbach Jacques
  • Offenbach's
  • Offenbach, Jacques
  • Offenbach-
  • Offenbach-Rosenthal
  • Offenback
  • Offenberg
  • Offerbach
  • Offnbach
  • Ophenbach
  • Pffembacj
  • offenbach
  • Ž. Ofenbachas
  • Ž. Ofenbah
  • Ž. Ofenbahs
  • Ž.Ofenbahs
  • Ζακ Όφενμπαχ
  • Ж. Оффенбах
  • Жак Офенбах
  • Жак Оффенбах
  • Офенбах
  • Оффенбах
  • ªÃÕ§óÐï
  • ¸ãïûªÃÕ§óÐï

Aliases

  • Jacob
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Summary by Tor Henning Karlsen

La Gaîté Parisienne Les Sylphides is an excellent album that is sure to please any lover of classical music. The tracks are beautifully arranged and performed, and they showcase the unique talents of two of the greatest composers of all time. The album is highly recommended for anyone who wants to experience the beauty and complexity of classical music.